New Toys For The Boys - RCF Art 715a's!

Peavey Smeavey!

Just a quick one today, as we have finally put our Peavey UL15 Messengers into retirement. Boys, ye served us well! Whilst we will look back at the time we spent together with happiness, at the same time, we know that our new babies will add an extra dimension to our shows.

RCF Art 715a - The new Addition To The Family

You would not actually believe the "discussions" we had before getting these, and it was only the untimely death of our old power amp that pushed us down this route. I had wanted to upgrade our cabs for a while as they were constantly on the limit, but as with all things, it is the justification of the price when they were still performing well for what would be an unknown benefit to the sound.

The problem with music equipment, is that it is very much a bottomless pit if you want it to be. There will ALWAYS be a better desk, better cables, better effects units, same performance but a third of the size etc... Whilst our aim is to have the best sounding equipment and as a wedding and function band make the best sounding and looking show, this HAS to be balanced with cost to both us, and what we would have to charge to cover the investment. We could have a lighting rig with Martin movable fixtures, the sort used on Strictly, The Voice and X-Factor, but it really could not be justified (sadly!).

With the PA though, you are paying for sound quality, performance and reliability, and as a band playing a wedding simply cannot afford to have a "show-stopper", its not about the investment making you money, its about it not losing you money.

As I wrote last year about how hard it is to find pub gigs, even though the band focus on being the best rock pop and soul wedding band, we still love playing pubs, and given the money paid for pub gigs really hasn't increased in many a year, this kind of investment may seem over the top, but with these new workhorses, coupled with our Mackie SRS1500 sub-woofer, means that we can go from a small pub to a 300 person function room without worry.

Well, that's the theory anyway! We have a short break now due to Mark Keown about to become a Dad for the third time, but as soon as we have our first show on 19th May with these new bad boys, I will report on how they perform, hopefully with some pictures of them in action.

Ritchie

Pretty Vegas Wedding And Function Band

Contemplating How Any Bum Notes Will Sound Much Clearer!

The Good, The Bad & The Ugly - Up's And Downs Of Band Life

More Than Just Gigging

Wedding Fayres - Fun Sunday Afternoon?

This is actually going to be a tough one to write, as it might be easy for the reader to see it a moan or rant, but actually, if you see past that, hopefully it might help give an insight into the other side of being in a wedding and function band, the side that doesn't involve being on stage rocking.

If you manage to make it to the end of this piece, then hopefully you may have more of an understanding about the work that goes into self-management, promotion and why we actually charge for what we do (and not just doing it for the love of the music, yes, that HAS been said!). If I do rant, I will try and apologise!

Non-Music Work 

 

Lets start with the worst and work backwards toward the good stuff, I think that might make this a bit more bearable for all concerned.

Finding Gigs

I did talk about this in a previous wedding band blog, but I think its important to understand that most bands, even those that are gigging in pubs / clubs regularly, NEED to try and find new places to play from time-to-time. Whilst offers do come in, they do tend to be from recommendations given from people that have seen us, and as most people rarely travel far to pubs or clubs, that means the catchment can be quite small. Whilst this is great for building up a local following (even cover bands can have these) and guaranteeing "bums on seats", if you want to move into other geographical areas you have 2 options.

1. Join an agency (losing out on a % per gig and not really knowing where you are play).
2. Burn some discs, print some flyers, put petrol in the car and target an area and give it some spiel.

Due to our affinity with having control of what we do, we prefer to go and drum up our own business at the moment (not to say it won't change), and whilst these trips are not always successful, we are pretty good at seeing a place and knowing if we would fit, both physically and musically. By doing it this way we have our own small circle of venues that we can play on a regular basis, but without it being so frequently that both ourselves and the clientele get bored.

The Saracens Head, Warrington - We Shared Some good Times!

The other reason for searching for gigs is that unfortunately, sometimes Landlords leave a place, and this happened recently with The Saracens Head in Warrington. This is a venue that we have played since we first started as Pretty Vegas, but despite having some great nights, the Landlords were at the end of their tenancy, and decided not to renew. We played for free at their leaving party (they had been exceptionally good to us over the years!), and despite it being the best night we have had there, it was tinged with sadness as we knew we would never play there again. The pub was getting new tenants and a refurbishment, turning our stage / live room into seating for the new dining expansion. This means that if we want to play for the people that would come to see us, we need to find a new venue, and that means option 2.

Websites

Any band that thinks that there is one route to promotion in this day and age is sadly mistaken, even for a wedding rock band there is a lot of work needed to get your name out there. In addition to the trawling of the pubs and word of mouth, there is a huge amount of web work needed in order for potential Clients to find out about the band and actually approach us for performances.

If you have a look on our links page, you will see that there is whole host of websites and directories that are aimed at helping brides find everything that they need for the big day (most are free to join, some you have to pay for!). Some are more involved than others, but all need work to find, register for, set up and manage, but we have noticed ourselves that we have had a great deal more contact and work as a result, so it is worth it.

Obviously, we have a Facebook page, which is a per-requisite these days, but its amazing how many people rely solely on this for their online promotion. Yes, its easy to setup and run, and it ticks a lot of boxes, but if a band thinks that Facebook is the sole answer, then they are very much mistaken. We tend to use Facebook for local gig promotion, Wedding Fayre announcements, making connections, but mainly for communicating with Clients. As our aim is to try to give them the event they want down to the last detail, its so quick and easy to have a proper conversation about what they want and don't want.

SEO

For the uninitiated, SEO (Search Engine Optimisation) is needed to help you get found when people are using search engines to find what they are looking for. So if you search for wedding band in Manchester, wedding bands for hire, rocking wedding band or top wedding band, SEO is what helps determine what it is you actually get  in the results.

Now, I say "for the uninitiated" with tongue firmly in cheek, basically because until about 9 months ago I knew nothing about it apart from using the Keywords section of my WYSIWYG website maker. It was because of my lack of understanding that we weren't even coming up in the first 20 pages of Google searches, so I researched SEO and how to implement it. Hours and hours (and hours and hours and hours) of research, followed by hours and hours (you know this part!!) of registering the site for all the important directories (not related to music, related to actual website listings!), using all the available free tools, looking at tweaks for the website code. All the things that people pay others to do (I am cheap), I did it for Pretty Vegas and whilst there is always stuff to do on SEO, there has been about a 500% increase in inquiries from prettyvegas.co.uk  as we now appear first page for our target searches. And all done with honest "white-hat" techniques (oooooh, get him with his lingo!).

Wedding Fayres

For Pretty Vegas, wedding fayres are a bit of an odd thing, as it gives lot of potential Clients a chance to see us play, but it never feels to us like they are actually seeing the real Pretty Vegas, and even though we get booking from the fayres, we always want Clients to come and see us in a more realistic setting to be sure they are getting what they want.

The thing with them is, when we do them (we always do them at Briars Hall) we can't help but feel that the other exhibitors are looking at us in anger as we do our "product display" as they cannot do their own one-to-one sales pitches with us playing. In truth though, we always feel that we can't really get across what we are about in a short 20 minute slot on a Sunday afternoon. What Clients are booking us for is a party, and is it better for them to see a video of us in a real setting?

That I suppose is why we normally don't take a deposit until they have been to a proper show. Yes, we can be more sedate or more rocking, but we want Clients to make an informed decision before they part with one of the biggest single expenses of their special day. As I said earlier, we are a rocking wedding band and its important that Clients know exactly what is on offer. Hopefully though, they get a chance to see how dedicated and passionate we are about what we do, so again, its a very important part of the "behind-the-scenes" work that we put in.

Backings & Rehearsals

Confidence - Comes With Practice!

The only way to get good is playing, and it might come as a surprise to know that even after 20 years, we still rehearse every week as a band, even if just for an hour on acoustic guitars. We do this to make sure that when we gig a song, we have confidence in what we are doing, and to constantly try to improve our setlist. At the time of writing we have 61 songs that we gig with, but have another 4 that we are getting ready to add to that, and have probably dropped another 30 or so that we feel just weren't up to the job.

To give you an idea, even if I find a MIDI file of the track we want, I will do a rough mix and set it up with virtual instruments on the laptop, then we run through it and tweak things (either timings, general structure things to suit how we do things, drum edits) before I do a full track in the studio. Without practice, this is about 2 hours work for every track. If we are doing a medley, add 1 hour for each track within that medley (to ensure consistency in playing and tempo).

Many of the songs we do have had the tracks created by myself from scratch, and as I don't really play keyboards too well, I have to painstakingly run through and sequence each instrument note for note on the laptop. This can mean a track can take me 10 hours to sequence fully, and sometimes, these too are trashed if they just don't work out as we had hoped! That can be a bit heartbreaking, but at the same time, there is no point in being precious if it means a sub-standard track, so I just think of it as a learning process (well, that helps me keep my sanity on it!).

Open Mic Nights

Love 'Em!!

Pretty Vegas Wedding Band - Acoustic With Steph Woods

The best part of open mic nights is that you can run through a song, then play it live an hour later, which is a great freedom for Pretty Vegas given the fact that we use backing tracks and normally have to play in such a regimented fashion (even though I tempo map the songs to add more "swing"). Over the years we have used open mic nights when we haven't gigged for a while, to try new things out, and to get our foot in the door of venues. When starting out, it was a godsend for us to be able to get some live experience, and then they seemed to go away for a while (certainly in our area).

Fortunately, there has been a resurgence in the last couple of years. I think some of this is down the fact that many places want live music, but don't always have the money to pay acts, so this is a great way to get something happening cheaply. It also helps venues build a live music reputation, and for new acts its a wonderful opportunity to get up as audiences are generally as supportive as it gets, helping with nerves and offering advice.


The last open mic night we played (in pictures above) was the best we have ever done, as we had the second opportunity to play with the truly wonderful Steph Woods, who joined us to play some Pink, Alanis Morrisette, Adele, Bon Jovi and Evenscence after we played her leaving party the weekend before.

Steph Woods - Soon To Be 4th Member Of Pretty Vegas???

As a professional female vocalist, we were extremely pleased when we were booked to play for her leaving party, and more so that she wanted to get up on the night with us and do a few numbers to help celebrate the fact that she was going to Gran Granaria for 6 months to work.

Pretty Vegas At Steph Woods Leaving Party

What we never expected was how good we sounded at that first rehearsal, and after 2 more and her party, we had a chat and are all hopeful that on her return, she will be joining Pretty Vegas as a full time member. Hopefully she will get signed in the meantime and we can be her roadies, drinking ourselves to death, but if not, then her being in the band will just HAVE to do!


Anyway, after the gig, we spoke about the open mic night in the venue that hosted the party, and she said she wanted to play again before she went, so we got together, ran through some songs and then got up and played them live in a format she had never done before. She might be a professional female wedding singer, but its fair to say she was out of her comfort zone that night, but excelled and we got another booking out of it, so again, another worthwhile endeavor!

So, Worthwhile?

I hope you have read all this and agree that whilst there is a lot of "thankless" work that goes into the band, its not done without there being a goal at the end, and the main one is having the opportunity to play live and it being a great show, whether its a pub gig, function or wedding. As long as we keep getting the bookings and people keep filling the dancefloor, I assume we will have to keep putting in the work. Hmmm, can Steph run a website?????


Ritchie
Pretty Vegas
(Oh, and this took 4 hours!!!)

Creating The Backings Pt1

"Well, You Only Need To Punch The Information in Once!"

Yes, we are a Wedding Band now, but this has not always been the case, and before we started Pretty Vegas, we were all in a band called The Small Party; we gigged, we recorded an album, and came second in a nationwide Battle of the Bands, playing at Manchester Academy. We are real musicians!

The reason we came to using backing tracks is simply down to logistics. Its easier to fit 3 guys, guitars and PA in 2 cars than it is trying to fit 4 guys, bass amp, drum kit and PA in 2 or more cars!

When we started doing the whole Pretty Vegas thing, we were torn for a LONG time about actually using backings instead of a full live band, as we simply weren't sure of how well the whole thing would come across. Would we feel like frauds using backings? How good would they sound? Would a lack of freedom inhibit us (or could we play well to a click?!?!)?

As usual, I wanted to prove the concept, and the lure of not having to tell the drummer what to play EVERY SINGLE TIME was very appealing to me. As the old joke goes;

" Whats the difference between a drummer and a drum machine?

With a drum machine, you only have to punch the information in once"

Cubase, MIDI and A Big Hole In My Pocket

When I first started playing, I bought a Fostex 4-Track and played around a little on it, but never really took the recording side of things seriously. I had a BIT of knowledge, but in truth, it was (and still is in some respects) me fumbling my way around to try and make something work. I think it is still in my loft!

When The Small Party started, it came about from doing acoustic pub gigs (no bass, no drums), but over time, more and more originals came into the set, and after a while we had about 10 songs that we regularly played, so the idea was, lets record them and see what happens. I got an old copy of Cubase (I knew someone that used it, so could always ask for help!), some books, a pair of monitors and a recording interface and went to town. Not all results were successful, but on the whole, we were happy, and decided that we should save up gig money and go into a "proper" studio (own by the Someone). When doing the demo's, I played bass and programmed the drums using Groove Agent, and the results were good, not GREAT, but certainly were good enough to get the message across when coupled with layers of guitars and vocals.

After the heartbreak and desperation that comes from being in an original band, we had time apart, and even though we still saw each other regularly, we didn't play music, as the mindset with us was that it was "too soon". Then I got a text from Leighton asking if I could do good sounding backings using Cubase for us to try?

"Hmmm" thought Ritchie!

 

A quick scout around T'internet and I found LOTS of MIDI files that I could load into Cubase, then use Groove Agent to play the drums. I could always play the bass, or I could use another bass virtual instrument. I could spend a weekend and do a load of tracks and all done!

Please note the use of the word "could"!

Even with the rosiest-tinted glasses, our first foray into the world of using backings was an unmitigated disaster! The mix was awful, the tracks sounded rigid and we kept wandering out of time to the point that after 60 seconds it was time to stop the track. The good thing was, we could work on the timings. And we did.

After a few hours, we were getting the hang of it, and we knew we could do it, but we needed to improve the sound and get the tracks to have a bit more bounce about them, and as the newly appointed "Head of Recording and Engineering" for our as-yet unnamed project, I had the task of getting them right. Problem was, I didn't know how!

Hello Mr Credit Card

 

I am not sure if you have ever tried to use a laptop for mixing and recording, but when I first started this, my "rig" was a single core Sony Vaio lappy (not a particularly good one!), a basic M-Audio Fast Track interface and some Edirol Micro Monitors. I heard on the rumour mill that Abbey Road was petrified.

 I decided at that point that I needed a new Digital Audio Workstation (DAW, recording software), and some better virtual instruments, so, Mr Credit Card, meet Mr Cubase, Mr BFD2, Mr Trillian and Mr Kontakt!

Once I got the new software, I found myself in the position of my poor old Sony laptop struggling to deal with what I was throwing at it; big sample libraries, small CPU power. My new HP work laptop had also been called into battle, it having 4gb of RAM and a Dual Core processor, but even that was struggling under the weight of what I was asking it to do. However, I also realised that mixing on a mouse was NOT conducive to an efficient workflow, and as a result of this I had to choose, new interface / controller or new computer??? At this point, websites and Wedding Band Blogs hadn't even been considered!



The decision, however, was NOT that simple, as I looked at the options, an a new breed of processors were around the corner, and a new garage was also being discussed between myself and the good lady wife. At the time, my "studio" was the larger of the spare bedrooms, which also was a study / dumping ground for all my wife's teaching materials, and had already been earmarked as being the bedroom of our yet-to-be-conceived firstborn. "Hmmm", thought Ritchie, yet again!

And so, with Mr Mastercard only just having recovered from his first pummeling, I bought the cheaper of the two potential purchases, my ProjectMix controller, with a firm eye now being kept on CPU's and their progression. How long would it be before my "Flexible Friend" would receive another onslaught?

Not long at all!

My New Room

 

Whilst working on tracks and getting up to speed with basic backings, I had my garage built, resplendent with a room at the back that would be my new studio. The problem was, that whilst I had identified the new for a new computer, I also knew that my monitoring simply wasn't up to scratch, as mixes I had done weren't translating well when brought into rehearsals. Much time had since been spent on the forums over at Sound on Sound and I knew that despite having good headphones, I needed to improve my acoustics in the room and the monitors playing back the mixes, so prior to completion, I bought some Auralex panels, and constructed a whole host of broadband diffusers, ready to be mounted. This was the cheapest part!

After MUCH research and on completion of my room, I placed all my acoustic panels and diffusers in the room in the correct location, and again, it was time to "splash the cash", this time in the form of a pair of Adam A7X monitors to replace the, quite frankly, shocking Edirol offerings.

With the room now containing many a nice toy (including mic's and vocal screens, all purchased on the QT!!!), I knew it was time to get the powerhouse computer and really get this show on the road!

As usual with me, once my mind was made up, that was it, I HAVE TO HAVE IT! So a quick trip to Bolton to SCAN to "just have a look" meant that by 6pm that day, I was home, with a new i7 based PowerDAW, loaded with 16GB of RAM, 3TB of storage and a shiny new 27" monitor. £1500 did NOT return home with me that day! That then meant that after a few days of loading virtual instruments onto my new pride and joy, I would actually be able to start getting the tracks ready, using full quality samples, and not having to freeze everything, then un-freeze, just to make a few changes. After 12 months of rehearsals and a slow and steady increase in my knowledge of what I was doing (well, sort of anyway!), things were about to go crazy as I could finally unleash the type of sound I had in my had for Pretty Vegas.

Ritchie
Pretty Vegas North West Wedding Band

 

Choosing Songs For The Band

So Many Songs, So Little Time

For a Wedding Band that plays a variety of styles, it can actually be VERY difficult to choose what songs to learn that will be a success within a set. Having too much of one thing may alienate a section of the audience, whilst having too many disparate styles may fails to connect you to your crowd, and as humans, there are only a finite number of songs that you can learn and remember. Well, that's the case for us anyway! We do have a lot of songs in the set list that get played on a regular basis, but there are some that are definitely "pub" tunes, "function" tunes and "wedding" tunes, so when we have a gig coming up and are working on the set list for that show, we choose what we think will have the most impact and enjoyment for the crowd. This can either be a rough guess based on previous performances there, or from a wild stab in the dark after speaking to the event organiser.

Some Songs Just Work

When we started playing years ago, we realised that some songs in our set suited our style better than others, be it the arrangement, tempo or harmonies we used. These tunes just have a certain something about them and always go down an absolute storm, be it a function in Manchester or a wedding gig in Liverpool. 

This video of us doing "Take Me To The River / Please Please Me" is an example of what we do that ALWAYS blows the roof off!

It's probably because we have learned so many songs over the years, many which are no longer part of the set, that when we look at new songs, we know if it is of a similar style to what we do then we can generally make it work quite easily. The obvious problem with this is that it can quickly make the set sound too similar and lacking in diversity. This is not a problem for bands who stick to a particular genre, but that is NOT what Pretty Vegas are about. 

Medleys - A Pretty Vegas Speciality!

Please, watch this video.

As music lovers, there are sooooo many songs that we would love to play, but due to time constraints, original song length or its structure, we can't realistically play the full tune.

This is where our trademark medleys come into play, mainly in thanks to years if watching Live Metallica shows!

In some cases, we will actually "segue" songs, like we do with "Take Me Please Me", which are full songs that just happen to run nicely into each other and keep the audiences attention / dancing shoes moving. We also do Prince's "Kiss" straight into "Perfect 10", which is great because our lead singer Mark Keown is built like a brick s**thouse, is about 6'4" and does all the female and falsetto parts!

Mark Keown - Big and Scary but Sings Prince For Fun

For other songs that people know and love, we generally look at what are the main elements of a song, what are the fundamentals that make it what it is, the hook, the solo, the breakdown, then try to incorporate that into a medley. That way, people get the song, but the attention of everyone in the room is maintained as the medleys we write are usually done to get a wide variety in that will keep everyone bouncing, even if they don't like THAT particular song.

In an earlier post about why it is Why Its Harder To Get Gigs in 2012 I mention about the decline that has occurred in pubs playing live music, and the one thing that has always been said when we play at a venue for the first time is about our diversity when selecting music, and the medleys we play. The general consensus is that we provide something for everyone.

Getting Picked For The First Team

As a band we are always looking at the songs we play, and seeing how we can strengthen our set, and in many cases, when chatting we use a football analogy.

"Yeah, but is that song strong enough to be picked for the first team or will it be left on the bench. Its good, but its no... (insert current set song here!)"

What still surprises us is that when we are looking at new songs to add to our repertoire, they aren't always songs that have only just been released. You would be surprised how many songs we have actually "forgotten about", classics that for one reason or another have been overlooked.

Take "Rolling in The Deep" by Adele, that was an instant favourite, but we discounted it until the other two boys were at Download and saw a metal band do a version, and by doing a mix of the cover and the Adele original, it is now permanently in the first team. That song had been out about 6 or 7 months when we added it to the set and at the moment it shows no signs of going anywhere, in part due to the continued success of Adele in the UK and US, and in part because its a great song that we do well. Then there are songs that you hear on the radio and think "God, how did I forget THAT!"

Recently, we finished getting "Brown Sugar", "I Feel Good", "Jailhouse Rock" and "Dakota's on Fire (Dakota and Sex on Fire segued) up to standard, and these are songs that many bands would consider to be essential for their set, but for us, we either forgot or didn't think that at the time we first tried them that we could do them justice. Ultimately, its easy to say "no, not good enough" and leave a song alone, but as we grow as musicians, we do re-visit songs too and find that from a different perspective they can be part of the set.

Or at least on the "Subs Bench"!

Our Indulgences!

These are songs that we know aren't THAT well known, and are generally saved for pub gigs due to being a BIT more obscure or not an acts Top 10 hit, but as Pretty Vegas, we feel we do a stunning version of. We also include them in the Set List on the website as potential Clients can also see our diversity, and it may be one of their favourite tunes than nobody else does!

Some examples of these for Pretty Vegas are:-

• Bad Things - Jace Everett (Theme From True Blood)

• Call Me Number 5 - Paul Weller and Kelly Jones

• Its Only Natural - Crowded House (They did other songs, not just Weather With You!!)
• The Captain - Biffy Clyro ('Mon The Biffy!)

The funny thing with these songs, AND the "Enter Sandman" solo in the middle of the Shakin' Medley, is either when we are playing, or after we have finished, we nearly always have a few members of the audience go wild about them, almost like its an "in-joke" because they are not the most well known of songs. We think of them as songs for music lovers played by music lovers.

Client Suggestions

At some point during a gig, or when we are taking wedding bookings, someone will suggest a song that we don't play, or an artist we don't cover, and whilst we will take specific requests from clients for functions of weddings, if we are playing a pub gig and the same song gets requested in different locations, that certainly pricks our ears up, and as part of moving forward, we need to ensure what we provide meets peoples expectations. That doesn't mean that if enough people say it we will play a Steps song, but more a case of keeping our minds open to different avenues for this thing we do, and ensuring that everyone at a Pretty Vegas show, the band included, come away happy.

Thanks for reading

Ritchie

Pretty Vegas North West Wedding Band

"Movember" Charity Gig - Success!!!

Roaring Success!

Just a quick post to say that the Movember Charity Event I posted about yesterday was a roaring success thanks to Jo Wright and her great organising skills, raising nearly £500 for the Movember charity.


With a music for the evening provided by Pretty Vegas and the food by Gina Hamlet, it was a chance for the men (and women!) to don their Mo's and get partying, with a raffle, that whilst not QUITE shambolic, showed that Jo needs a bit of work with the microphone in preparation for next years event!


Anyway, here are some picture from last night, so hopefully you can see what a great night you missed!

Thanks again Jo, keep up the great work

Ritchie
Pretty Vegas

Why Its Harder To Get Gigs in 2012

Times, They Are A Changin'

All of Pretty Vegas are 34-35, so we are not that old (well, in our minds certainly!), but even we remember when we started, how there seemed to be live music of some sort always available near us. This could have been 2 guys with acoustics, guitarist / vocalist with backings or a full band, but pubs made a point of having it on regularly and as you knew when this would be, you could make a point of going down to the various acts playing the local circuits. Yeah, mostly, they were covers, but you didn't mind as the standard was usually pretty high, the pubs were packed, and the beer flowed.

Back then, the money was OKAY, but was topped up with free drinks from landlords happy with their establishments being packed  to the gills, even on a Sunday night.

So what, exactly, has changed in such a relatively short space of time?

The Recession

There is no doubt that people have less disposable income to go out for a night on the town. Prices have gone up, taxes have gone up, and supermartkets sell 24 cans for £12. Not really hard to see why there has been a general downturn in pub attendance just on these basic facts is it? I mean a lot of places will still have their "regulars" propping up the bar, but rarely are they being replaced by new customers who devote a night or two (or whole weekend) to one venue, and as such the landlords have to look at how to still shift pints without the additional costs involved. Food is okay to bring additional money in, but the landlords really need to go for that change in a big way, new kitchen, refurbishment, more staff, and this is expensive. So why pay for entertainment, when its not going to attract new customer, and reduce the profits for the ones they have.

 

People Want More For Their Money & Death of "The Local"

I don't really think its a stretch to appreciate that when times are tough, people want to get bang for their buck, so if they are buying food, do they want to eat in a nice, relaxed environment, where everything is clean and tidy, with a wide selection of dishes, or a place that "does food" as long as the darts team aren't at home.

The transition from pub to pub / restaurant is not generally a small step, and there is usually the alienation of the former clientele in favour of a new one, one with cash to spend on products with greater mark-ups, and the cost in doing to is usually VERY high. This means that in order to recoup the expense of this transformation, the only option is to maximise seating for the new aspect of the business. Don't get me wrong, some pubs HAVE successfully merged the two, but they are very much in the minority, and this has generally meant that what was the typical "Local" is either now looking very shabbier compared to the new swanky eateries, or have been closed and turned into gastro-pubs or brasseries. And the last two aren't typically looking for live music (unless you are a Mickey Bubbles tribute act at Christmas!)

 



PV At The Saracens Head in Warrington, Great Venue, Too Close To Wine Bars

The Infamous Wine Bars

FACT:- Men want young women => young women don't go to dives =>  men don't go to dives.

 

As more and more people want the celebrity lifestyle, nice cars, nice houses, nice nights out, ridiculously overpriced wine bars  and bar/clubs have become the places to be and it is DJ music that is wanted in these types of establishments. This not only drags in more punters, it drives down the desire to spend a night listening to live music as the men will generally go where the women are. The problem is that maybe typical old-fashioned pubs haven't really adapted to this change by refurbishment of existing premises, but retaining the essential elements of what drew people there in the good times.

 

 "Live Music Saturday Night - Karaoke With Jim!"

 For me, this is one of the fundamental problems with getting live music back into pubs and that is the easy entertainment that comes from karaoke; cheaper, occupy less space and the familiarity of the same songs every week by the same people.

 

Pubs are essentially about community and if you see any karaoke host "off-duty" they are in many cases revered as Gods by the public, and with the same faces singing the same songs every week, it endears them to their fellow punter for getting up and "having a go"!

 

Whilst I would much prefer to have this than a DJ playing hard-house, it is still getting away from what live music is about, and yes, we do use backing tracks for our shows, but we would play with a full band if it was logistically possible, but it isn't for us, and this is a topic we fought with for a long time before starting Pretty Vegas as we thought it was selling out, but in this day and age, its the only way we could do what we could do to keep ourselves playing live music.

 

 

But Wait, There IS Hope!

 

The flip side of all this, is the increase we as a band have seen in live music at Weddings and Functions. Rather than years ago where the organiser wanted to have just a DJ, the amount of people looking for bands to play in this environment can only be seen as encouraging for all musicians, so I think that this only really backs up my point.

 

As a Wedding Band the market is competitive, but this is good for all concerned as market forces keep costs within a reasonable limit so people can have the entertainment in the evening that they are wanting, and musicians can keep working.

 

As a Function Band there is still room for growth as clients are still reluctant to pay more than what they would for a disco, but that is changing as the cost of hiring a DJ has steadily increased, not a massive amount, but certainly more than they were, and this does mean that for a working band, functions represent the middle-ground between pubs and weddings.

 

This must mean that there is still a desire for live music to be played, and as i put in my first blog I will keep striving to get Pretty Vegas out there to the masses, and if this means this is achieved by changing some of the perceptions of how live music is to be performed, the composition of the structure of what is a "live band", and what sort of places will play live music, then that is definitely something I, and we at Pretty Vegas are prepared to do.

 

Ritchie

Pretty Vegas Wedding and Function Band

 

 

 

Pretty Vegas - "Movember Charity Event"

"Movember" Charity Event

 

 

Just a quick post to say that Pretty Vegas are playing a charity event tonight for Movember, the mens health charity made famous by celebrities and supporters growing moustaches and other facial appendages to raise awareness of prostate and testicular cancer.

 

The event we are playing is at THE UNITY CLUB in Standish near Wigan, starting at 7.30pm, with £7 entry fee, buffet, disco, at set or two by Pretty Vegas and more.

 

I will post some photos of the event so everyone will know what they missed, but hopefully word will spread and the event will be a complete success.

 

 

Please spread this if you are a supporter or care about the issues addressed by the charity.

 

Thanks

 

Ritchie

Pretty Vegas

 

Pretty Vegas - North West Function Band Supporting Movember. 'Taches to be added later!

 

Pretty Vegas - Northwest Wedding Band Blog Introduction



Pretty Vegas - Thats me on the left!

 

Back With A Bang Band

Hi all, I actually started writing a blog a while ago on various subjects, but due to various reasons, I just didn't have the time to actually do anything as regularly as I wanted, but loved the freedom of expression, so I thought I would start this blog in order to give me something more direct to focus on, so this is my blog about Pretty Vegas, Wedding and Function Band, my own wedding and function band.

Erm... Why Would I Want To Read About This?

Fair point, but I actually think it might be useful for potential clients, other people interested in playing a cover band, or even existing band members who are in the same position as us. I plan to not just post about things like up-coming gigs, but also the ins and outs of what it is like playing in a gigging band in this day and age, for people OF a certain age with families, day jobs, mortgages etc...

I know there won't be 10,000 people reading this per day, but if you do read it, and do like it, then please do let me know.

What Will I Write About?

I want to really document all aspects, from what it is like choosing the tracks Pretty Vegas play, the ones we decide against, producing the backing in the studio, how we promote ourselves, playing weddings, keeping your head up whilst playing to empty pubs, new equipment and equipment choices.

Some of this is to help me keep my sanity despite wife, baby, band, work etc... but is also hopefully going to be informative, useful and most importantly, interesting.


Please feel free to add suitable comments, and I look forward to posting again very soon.

Ritchie
Pretty Vegas

Ritchie Mellor - Lead Guitar, Pretty Vegas